Rewriting and Image Projection of Waldon in the American and Chinese Literary Worlds
Drawing upon Lefevere(2004,p.1)s famous hypothesis that rewritings,in the form of book reviews,critiques,literary history,and anthology,and translation etc,carves out various images for a literary work in different cultures and periods and such rewritings are subject to the constraints of ideology,institution and sponsor and poetics,this paper examines the different images projected by the rewritings in the American and the Chinese literary worlds,focusing on particularly two similar critical conflicts that occurred both in China and also in the United States over Henry David Thoreau and Waldon.In so doing,this paper tries to unravel the mystery that a book hailed as having shaped the American character should be enjoying popularity almost the same way as it does in the original country,in the two countries where almost opposing political ideologies prevail.
rewriting image projection Waldon Thoreau in two different literary worlds
Dong Danping
Yunnan University,Kunming,PRC
国际会议
重庆
英文
92-96
2019-10-16（万方平台首次上网日期，不代表论文的发表时间）