Genre Specificity of S. I. Taneyevs Oresteia Trilogy

摘要：

　　The article reveals the originality of Sergei Taneyevs approach to tragedy. S. Taneyev treats opera as an oratorical performance with the features of mystery. The author of the article shows the organic fitting of an oratorical component with both the choral component of the Aeschylus source work and a monumental cantata-like style of the Russian opera and Russian choral culture in S. Taneyevs Oresteia.

关键词： history of music genre Russian opera S. I. Taneyev tragedy

作者: Galima Lukina

作者单位: State Institiute of Art Studies Russian State Specialized Arts Academy Moscow,Russia

会议类型: 国际会议

会议名称: 3rd International Conference on Education,Language,Art and Inter-cultural Communication(ICELAIC2016)(2016第三届教育、语言、艺术与跨文化交际国际学术会议)

会议地点: 厦门

会议语种:英文

页码: 395-399

在线出版日期: 2016-12-02（万方平台首次上网日期，不代表论文的发表时间）