Relationship between Three Perspectives of Chinese Traditional Landscape Painting and Rockery Space of the Su Zhou Huanxiu Villa
Study of Chinese traditional gardens often comes across such a bottleneck —the archaeological map of the landscape is very meticulous, but the research or the speculation of the reason of expression of the garden is not enough.Now the drawbacks of those not deep or not enough specific led to the interpretation of the garden often mixing with a phenomenon of Western theory.This paper tries to study the association and the relationship between Chinese traditional landscape painting and Rockery space of Su Zhou Huanxiu Villa in the aspects of Three perspectives under the context of traditional Chinese landscape painting, then to prove the relationship between two-dimensional expressions and representation of space in Traditional Chinese landscape painting and the designs of Chinese garden rockery space the real three-dimensional physical space.
Three perspectives Rockery Landscape painting
Kai Fang Chen Zongyan
Graduate School of Creative Science and Engineering, Waseda University, China Architectural Design and Research Institute of Zhejiang University, China
国际会议
The 10th International Symposium on Architectural Interchanges in Asia(第十届亚洲建筑国际交流会)
杭州
英文
745-750
2014-10-14（万方平台首次上网日期，不代表论文的发表时间）