On Sponsors and Land Art
Land art first began in the 1960s coinciding with the global environmental protection movement. Artists created many large-scale artistic landscapes in natural settings and initiated intense argument about the relationship between nature and human culture. The general understanding of land art is: it is the betrayer of tradition studio museum system with the goal to rebel against and flee from commercialized control. They have every reason to refuse sponsorship which is part of the capitalism artistic mechanism. However, reality is the opposite. This article studies the role of sponsors for the land art. On one hand, land art betrays the traditional studio- museum system; on the other hand, patronage reflects a social relationship in art. The paper aims to probe into this seemingly contradictory sponsor problem in land art.
Land Art Sponsor Studio - Museum
Zhang Jian
Architecture & Urban Planning College , Huazhong University of Science And Technology
国际会议
昆明
英文
1257-1259
2008-11-22（万方平台首次上网日期，不代表论文的发表时间）