Spectrophotometric analysis of the interiors of seventeenth century Churches in Arbanassi
This paper presents the use of a new method of assessment and comparison of the appearance of colour in an art historical context, using some seventeenth century churches in Bulgaria as a case-study. The method also allows initial identification of the main colour agent of the pigments used. It contains the results of the identification of the colour red. This research provides a possible basis for further investigation into the use of colour in seventeenth century Bulgaria, in a way that overcomes the limitations of colour reproduction in print. In addition, a faithful and unambiguous record of the existing colours will make it possible to create the non-metameric subtractive mixtures that are needed for the restoration of the frescoes.
Arbanassi art history spectrophotometry colour appearance pigment identification
Elza Tantcheva Vien heung Stephen Westland
Department of History of Art, School of Humanities, University of Sussex (UK) School of Design, University of Leeds (UK) School of Design, University of eeds (UK)
国际会议
杭州
英文
363-366
2007-07-12（万方平台首次上网日期，不代表论文的发表时间）