诠释南非的东方风格陶瓷工作室

摘要：

Growing awareness of ancient Chinese Sung ceramics, amongst other traditions, by westerners such as Bernard Leach, and Japanese associates Soyetsu Yanagi and Shoji Hamada, (De Waal 1997, Harrod 2012, Kikuchi 1977, Leach 1976) had many repercussions. They spread a consciousness idealizing self-sufficient pottery studios where potters were in touch with all aspects of creating utilityware, largely from local materials for local use. Out of this emerged an Anglo-Oriental studio ceramics philosophy of form and practice, associated mainly with hand-made high temperature reduction fired ceramics. These ideas spread to South Africa in the late 1950s, and by the early 1960s local studios were being established along these lines. This movement grew exponentially in South Africa, initiating a phase of Afro-Oriental ceramics that remains as a powerful way of life and visual arts influence. This paper seeks to explore aspects of Afro-Oriental ceramics in South Africa, with particular reference to the Leach/Hamada-Cardew, Rabinowitz and Van Der Menrve lineage in South Africa.

关键词： 陶瓷 东方风格 艺术特色 南非

作者: 约翰·斯蒂尔

会议类型: 国内会议

会议名称: 国际陶艺ISCAEE2015年会

会议地点: 江苏宜兴

会议语种:中文

页码: 255-258

在线出版日期: 2015-10-01（万方平台首次上网日期，不代表论文的发表时间）